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John Ford

John Martin Feeney, better known as John Ford, was an American film director and producer. He is regarded as one of the most important and influential filmmakers during the Golden Age of Hollywood, and was one of the first American directors to be recognized as an auteur. In a career of more than 50 years, he directed over 130 films between 1917 and 1970, and received a record four Academy…

Born 1894 · United States · Active 1917–1976 · 144 films

Filmography

Trilogía de Will Rogers
Cheyenne's Pal — 1917
The Tornado — 1917
The Trail of Hate — 1917
The Scrapper — 1917
The Secret Man — 1917
The Soul Herder — 1917
Red Saunders plays Cupid — 1917
Straight Shooting — 1917
Bucking Broadway — 1917
A Marked Man — 1917
Wild Women — 1918
The Scarlet Drop — 1918
A Woman's Fool — 1918
The Phantom Riders — 1918
Three Mounted Men — 1918
Thieves' Gold — 1918
Hell Bent — 1918
The Craving — 1918
The Gun Packer — 1919
By Indian Post — 1919
The Rustlers — 1919
Gun Law — 1919
Riders of Vengeance — 1919
The Outcasts of Poker Flat — 1919
Bare Fists — 1919
Roped — 1919
The Fighting Brothers — 1919
The Last Outlaw — 1919
A Fight for Love — 1919
Ace of the Saddle — 1919
Marked Men — 1919
A Gun Fightin' Gentleman — 1919
Rider of the Law — 1919
Hitchin' Posts — 1920 · shot by Benjamin H. Kline
The Girl in Number 29 — 1920 · shot by John W. Brown
Just Pals — 1920 · shot by George Schneiderman
The Prince of Avenue A — 1920 · shot by John W. Brown
Sure Fire — 1921 · shot by Virgil Miller
The Wallop — 1921
Desperate Trails — 1921 · shot by Robert De Grasse
The Freeze-Out — 1921
The Big Punch — 1921
Action — 1921
Jackie — 1921
The Village Blacksmith — 1922
Silver Wings — 1922 · shot by Joseph Ruttenberg
Little Miss Smiles — 1922 · shot by David Abel
Hoodman Blind — 1923
North of Hudson Bay — 1923 · shot by Daniel B. Clark
Three Jumps Ahead — 1923 · shot by Daniel B. Clark
Cameo Kirby — 1923 · shot by George Schneiderman
The Face on the Bar-Room Floor — 1923 · shot by George Schneiderman
Hearts of Oak — 1924 · shot by George Schneiderman
The Iron Horse — 1924 · shot by George Schneiderman
The Fighting Heart — 1925
Lightnin' — 1925 · shot by Joseph H. August
Thank You — 1925
Kentucky Pride — 1925 · shot by George Schneiderman
3 Bad Men — 1926 · shot by George Schneiderman
The Shamrock Handicap — 1926
The Blue Eagle — 1926 · shot by Arthur Edeson
Upstream — 1927 · shot by Charles G. Clarke
Napoleon's Barber — 1928
Riley the Cop — 1928 · shot by Charles G. Clarke
Mother Machree — 1928
Four Sons — 1928 · shot by Charles G. Clarke
Hangman's House — 1928 · shot by George Schneiderman
Strong Boy — 1929
Salute — 1929 · shot by Joseph H. August
The Black Watch — 1929 · shot by Joseph H. August
Up the River — 1930 · shot by Joseph H. August
Men Without Women — 1930 · shot by Joseph H. August
Born Reckless — 1930
Arrowsmith — 1931 · shot by Ray June
Seas Beneath — 1931 · shot by Joseph H. August
The Brat — 1931 · shot by Joseph H. August
Flesh — 1932 · shot by Arthur Edeson
Air Mail — 1932 · shot by Karl Freund
Doctor Bull — 1933 · shot by George Schneiderman
Pilgrimage — 1933
The Lost Patrol — 1934 · shot by Harold Wenstrom
Judge Priest — 1934 · shot by George Schneiderman
The World Moves On — 1934 · shot by George Schneiderman
The Whole Town's Talking — 1935 · shot by Joseph H. August
The Informer — 1935 · shot by Joseph H. August
Steamboat Round the Bend — 1935 · shot by George Schneiderman
The Prisoner of Shark Island — 1936 · shot by Bert Glennon
Mary of Scotland — 1936 · shot by Joseph H. August
Wee Willie Winkie — 1937 · shot by Arthur Charles Miller
The Hurricane — 1937 · shot by Bert Glennon
The Plough and the Stars — 1937 · shot by Joseph H. August
The Adventures of Marco Polo — 1938 · shot by Rudolph Maté
Submarine Patrol — 1938 · shot by Arthur Charles Miller
Four Men and a Prayer — 1938 · shot by Ernest Palmer
Stagecoach — 1939 · shot by Bert Glennon
Young Mr. Lincoln — 1939 · shot by Arthur Charles Miller
Drums Along the Mohawk — 1939 · shot by Ray Rennahan
The Grapes of Wrath — 1940 · shot by Gregg Toland
The Long Voyage Home — 1940 · shot by Gregg Toland
How Green Was My Valley — 1941 · shot by Arthur Charles Miller
Tobacco Road — 1941 · shot by Arthur Charles Miller
Women in Defense — 1941
The Battle of Midway — 1942 · shot by John Ford
Torpedo Squadron 8 — 1942
Sex Hygiene — 1942 · shot by Charles G. Clarke
December 7th — 1943 · shot by Gregg Toland
We Sail at Midnight — 1943
Pearl Harbour December 7Th — 1943
Undercover: How to Operate Behind Enemy Lines — 1943
They Were Expendable — 1945 · shot by Joseph H. August
My Darling Clementine — 1946 · shot by Joseph MacDonald
The Fugitive — 1947 · shot by Gabriel Figueroa
3 Godfathers — 1948 · shot by Winton Hoch
Fort Apache — 1948 · shot by William H. Clothier
She Wore a Yellow Ribbon — 1949 · shot by Winton Hoch
When Willie Comes Marching Home — 1950 · shot by Leo Tover
Wagon Master — 1950 · shot by Bert Glennon
Rio Grande — 1950 · shot by Archie Stout
Pinky — 1950 · shot by Joseph MacDonald
This is Korea — 1951
The Quiet Man — 1952 · shot by Winton Hoch
What Price Glory — 1952 · shot by Joseph MacDonald
The Sun Shines Bright — 1953 · shot by Archie Stout
Mogambo — 1953 · shot by Robert L. Surtees
Mister Roberts — 1955 · shot by Winton Hoch
The Long Gray Line — 1955 · shot by Charles Lawton Jr.
Rookie of the Year — 1955 · shot by Hal Mohr
The Searchers — 1956 · shot by Winton Hoch
The Wings of Eagles — 1957 · shot by Paul Vogel
The Rising of the Moon — 1957 · shot by Robert Krasker
The Last Hurrah — 1958 · shot by Charles Lawton Jr.
Gideon's Day — 1958
The Horse Soldiers — 1959 · shot by William H. Clothier
Korea: Battleground for Liberty — 1959
Sergeant Rutledge — 1960 · shot by Bert Glennon
Two Rode Together — 1961 · shot by Charles Lawton Jr.
How the West Was Won — 1962 · shot by Joseph LaShelle
The Man Who Shot Liberty Valance — 1962 · shot by William H. Clothier
Flashing Spikes — 1962 · shot by William H. Clothier
Donovan's Reef — 1963 · shot by William H. Clothier
Cheyenne Autumn — 1964 · shot by William H. Clothier
7 Women — 1966 · shot by Joseph LaShelle
Chesty: A Tribute to a Legend — 1976

Source

John Ford on Wikipedia

Other directors

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