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How a Pro Colorist uses film grain

A working feature colourist on using film grain deliberately — where it sits in the node tree, how much is actually appropriate, and why grain applied at the wrong stage reads as noise rather than texture.

Cullen Kelly · 16 min · Advanced · COL · Color · 2023

What you take away

Grain has to be applied in the right colour space and at the right point in the chain, or it stops looking like film and starts looking like a broken codec.

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