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FilmSkool — a free film school

Why Nolan used NON-LINEAR TIMELINE method in Oppenheimer?

A breakdown of why Oppenheimer intercuts color and monochrome timelines, and how that editing choice tracks subjective versus objective perspective.

The NerdSapien · 9 min · Intermediate · EDT · Editing · 2018

What you take away

Learn to use a visual marker, like color, to help an audience track a nonlinear edit.

Watch it

Filed under

The films of Christopher Nolan

Oscar winners for editing

Books on editing

The cutting room

Samsung 990 PRO 4TB NVMe — The scratch disk a grade runs off
Crucial T705 2TB — PCIe 5.0 scratch disk — the fastest consumer NVMe
Dell UltraSharp U2723QE — The sensible 4K second monitor
Apple Mac mini M4 — The cheapest Mac that cuts 4K without complaint
Blackmagic DeckLink 8K Pro — Clean video out to a reference monitor
Samsung T9 portable SSD 2TB — Record to it, cut off it, post it

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DUNKIRK: Editing the Suspense Snowball — This Guy Edits · 16m · Intermediate
The Spielberg Oner — Every Frame a Painting · 5m · Intermediate
The Book Every Editor Has to Read — Walter Murch and In the Blink of an Eye — StudioBinder · 15m · Intermediate
The Visual Comedy of ISLE OF DOGS | Criterion x Every Frame a Painting — CRITERION and Every Frame a Painting · 11m · Advanced
Elliptical Editing in Vagabond - Film Art video essay — CRITERION · 4m · Advanced
Pacing in Film Editing: Techniques Every High-End Editor Must Know — Inside The Edit · 13m · Intermediate
Post Production Sound for Film — How to Make Your Movie Sound Great — StudioBinder · 25m · Intermediate
Editor Joseph Krings Breaks Down a Scene from Captain Fantastic — Metrograph · 18m · Advanced
Parasite's Perfect Montage — Nerdwriter1 · 8m · Advanced
Andor - One Way Out Editor In-Depth Scene Break Down — Jonny Elwyn · 43m · Advanced

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