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Rushmore: Portrait of Wes Anderson as a Young Man

The Take examines how Rushmore's Max Fischer functions as an early stand-in for Wes Anderson himself, tracing the director's stylistic and thematic obsessions back to his first true auteur film.

The Take · 11 min · Intermediate · THY · Film Theory · 2018

What you take away

Gets a model for reading a filmmaker's later signatures back into their breakout work.

Watch it

Filed under

The films of Wes Anderson

The critics’ canon

Books on film

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