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Making THE ROYAL TENENBAUMS (with Wes Anderson & Robert Yeoman)

An extended conversation with Wes Anderson and DP Robert Yeoman covering camera placement, blocking, and the flat, frontal framing style that defines The Royal Tenenbaums.

Cinematographers on cinematography · 27 min · Advanced · CIN · Cinematography · 2018

What you take away

Gets a technical basis for building deadpan comedy through static, centered framing.

Watch it

Filed under

The films of Wes Anderson

Films to study for light

Oscar winners for cinematography

Books on cinematography

Kit for this lesson

Aputure MT Pro — A pocket pixel tube
Aputure F10 Barndoors — Cuts the spill off a Fresnel — the cheapest control there is
Aputure MC Pro — Pocket RGBWW — an eye light that fits in a pocket
Aputure Light Dome Mini III — The Dome for small rooms and small fixtures
Canon RF 50mm F1.2 L USM — The portrait-adjacent normal
Canon RF 24-70mm F2.8 L IS USM — The RF standard zoom, stabilised

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Mother (2009) - The Telephoto Profile Shot — Every Frame a Painting · 4m · Advanced
How Cinematographers Set Their Exposure — In Depth Cine · 13m · Intermediate
Cinematic Film Composition — Roger Deakins on Blocking, Staging & Composition in Cinematography — StudioBinder · 7m · Intermediate
Depth of field | Virtual Cameras | Computer animation | Khan Academy — Khan Academy Labs · 3m · Intermediate
Roger Deakins on "Learning to Light" — Cinematography Techniques Ep. 1 — StudioBinder · 9m · Intermediate
Shooting “Moonrise Kingdom" (with Wes Anderson & Robert Yeoman) — Cinematographers on cinematography · 17m · Advanced
Ultimate Guide to Camera Lenses — Every Type of Camera Lens Explained [Shot List Ep. 7] — StudioBinder · 20m · Beginner
Depth of Field Explained: Ultimate Guide to Camera Focus [Shot List Ep. 4] — StudioBinder · 15m · Beginner
How Kubrick Achieved the Beautiful Cinematography of Barry Lyndon — CinemaTyler · 14m · Advanced

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