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Pan's Labyrinth: Crash Course Film Criticism #9

This episode explores how Guillermo del Toro fuses fantasy and historical horror in Pan's Labyrinth, using genre itself as a storytelling tool. A solid pairing with the kaptainkristian del Toro essay in this collection.

CrashCourse · 11 min · Intermediate · THY · Film Theory · 2016

What you take away

Blending genres can let a film say something neither genre could say alone.

Watch it

Filed under

The films in this lesson

Pan's Labyrinth (2006)

The critics’ canon

Books on film

More Film Theory

Joel & Ethan Coen - Shot | Reverse Shot — Every Frame a Painting · 5m · Intermediate
How Does an Editor Think and Feel? — Every Frame a Painting · 6m · Intermediate
The Invisible Horror of The Shining — kaptainkristian · 18m · Advanced
The Marvel Symphonic Universe — Every Frame a Painting · 8m · Intermediate
How Studio Ghibli Makes Animation Feel Alive — kaptainkristian · 20m · Intermediate
Guillermo del Toro - Monsters and Magic — kaptainkristian · 19m · Intermediate
Lee Unkrich on the Two Versions of THE SHINING | THE COMPLETE KUBRICK — CRITERION · 11m · Advanced
The Sustained Two-Shot — Every Frame a Painting · 5m · Intermediate
When Harry Met Sally — Breaking Genre Conventions — Lessons from the Screenplay · 9m · Intermediate
In the Mood For Love: Crash Course Film Criticism #5 — CrashCourse · 11m · Intermediate
What Would Billy Wilder Do? — Every Frame a Painting · 6m · Beginner
Why Do Wes Anderson Movies Look Like That? — Thomas Flight · 15m · Beginner

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