.seo-fallback{max-width:46rem;margin:0 auto;padding:2.5rem 1.25rem 4rem; font:16px/1.6 Inter,system-ui,sans-serif;color:#EDE9F5;background:#0E0A1B} .seo-fallback a{color:#FFCA3A} .seo-fallback h1{font-size:1.75rem;line-height:1.2;margin:.5rem 0 1rem} .seo-fallback h2{font-size:1.05rem;margin:2rem 0 .5rem;color:#9C93B8; text-transform:uppercase;letter-spacing:.08em} .seo-fallback ul{padding-left:1.1rem;margin:.5rem 0} .seo-fallback li{margin:.3rem 0} .seo-fallback .seo-meta{color:#9C93B8;font-size:.9rem} .seo-fallback .seo-note{margin-top:2.5rem;color:#9C93B8;font-size:.85rem; border-top:1px solid #2A2340;padding-top:1rem}

FilmSkool — a free film school

6 Boom Pole Positions You NEED to Know

A quick rundown of six boom pole positions, overhead, underneath, side-mount and more, matched to different framing and blocking situations. Built for fast reference rather than deep theory.

Aputure · 5 min · Beginner · SND · Sound & Music · 2022

What you take away

Try switching between overhead and underneath boom positions on the same setup to compare noise pickup.

Watch it

Filed under

Oscar winners for sound and score

Books on sound

Kit for this lesson

Sennheiser HD 25 — On-ear, brutally isolating, built for noisy locations
Shure SRH840A — Flat closed-back for checking a mix on location
Beyerdynamic DT 770 PRO — Closed-back with real low end — editing and ADR
Audio-Technica ATH-M50x — The ubiquitous studio closed-back
Rode Wireless GO II — The clip-on pair that made radio mics cheap
Rode VideoMic NTG — On-camera shotgun that doubles as a USB mic

More Sound & Music

Hans Zimmer and the Score of Dune: Part Two | #DolbyCreatorTalks — Dolby · 28m · Advanced
Video Game Sound Design 101 with Marshall McGee | Native Instruments — Native Instruments · 42m · Intermediate
SoundWorks Collection - The Sound of Interstellar — SoundWorks Collection · 11m · Advanced
Ron Bartlett mixing dialog and sound effects for Dune | Sneak Peek — Mix with the Masters · 7m · Advanced
Dialogue Mixing Tutorial with Matt Yocum — Pro Sound Effects · 58m · Advanced
Interview: Oscar Winning composer Ludwig Göransson on scoring Christopher Nolan's Oppenheimer — blackfilmandtv · 9m · Advanced
Spaceship Sound Design Tutorial with Marshall McGee — Pro Sound Effects · 16m · Intermediate
‘Ford v Ferrari’ Sound Editors Explain Mixing Sound for Film | Vanity Fair — Vanity Fair · 14m · Intermediate
SoundWorks Collection: The Sound of Hugo — SoundWorks Collection · 10m · Advanced
The “Secret Sauce” In Modern Sound Design — Marshall McGee · 11m · Intermediate
SoundWorks Collection: The Sound of The Social Network — SoundWorks Collection · 10m · Advanced
2024 Sound Bag & Cart Tour | Curtis Judd — Curtis Judd · 17m · Intermediate

This is the plain index, shown because JavaScript is off. Every lesson here is a free video published by the channel credited on it and plays through that channel's own embed — FilmSkool hosts nothing.