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Film Craft 107: The Location Sound Mixer - 8. Operating a Boom Mic

Part of a structured location-sound series, this lesson covers how to hold, angle and move a boom pole to keep dialogue on-axis without dipping into frame. It also covers cable management and basic hand signals with the mixer.

macProVideoDotCom · 6 min · Beginner · SND · Sound & Music · 2022

What you take away

Practice keeping the boom mic angled toward the actor's mouth just out of frame while tracking movement.

Watch it

Filed under

Oscar winners for sound and score

Books on sound

Kit for this lesson

Sennheiser HD 25 — On-ear, brutally isolating, built for noisy locations
Shure SRH840A — Flat closed-back for checking a mix on location
Beyerdynamic DT 770 PRO — Closed-back with real low end — editing and ADR
Audio-Technica ATH-M50x — The ubiquitous studio closed-back
Rode Wireless GO II — The clip-on pair that made radio mics cheap
Rode VideoMic NTG — On-camera shotgun that doubles as a USB mic

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