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FilmSkool — a free film school

Soviet Montage: Crash Course Film History #8

This episode introduces Soviet montage theory through Kuleshov and Eisenstein, explaining how juxtaposing unrelated shots can generate entirely new ideas in a viewer's mind. Foundational viewing for any editing theory unit.

CrashCourse · 11 min · Intermediate · HIS · Film History · 2016

What you take away

Meaning can be created purely through the collision of two shots, independent of either one alone.

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Filed under

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