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Cranbersher's Guide to Stop Motion | Lighting and Camera Settings

Cranbersher covers the camera and lighting settings needed to keep a stop-motion shot consistent from the first frame to the last, part of his wider Guide to Stop Motion series. The episode follows on directly from his equipment and software episode.

Cranbersher · 7 min · Beginner · STM · Stop Motion · 2020

What you take away

Lock exposure, white balance and focus manually before shooting a single frame.

Watch it

Filed under

More Stop Motion

Adam Savage Learns How Modern Stop-Motion Puppets Are Made — Adam Savage’s Tested · 14m · Advanced
How to Make Wire Armatures for Stop Motion Puppets — Animateclay · 53m · Intermediate
How Animators Created Oscar-Winning Stop Motion In Guillermo del Toro's Pinocchio | Vanity Fair — Vanity Fair · 13m · Advanced
The Ray Harryhausen Chronicles (1998) — The JDP Channel · 58m · Advanced
A Grand Night In: The Story of Aardman | Documentary — Aardman · 59m · Intermediate
Andy Gent on Crafting 1,100 Puppets for Wes Anderson's Isle of Dogs | D&AD Festival 2024 — D&AD - Creative Advertising, Design and Digital · 10m · Advanced
Behind the Scenes - Animating 1 Frame in Real Time — Andymation · 15m · Advanced
Behind the Scenes of ParaNorman: Hand-Making Characters | LAIKA Studios — LAIKA Studios · 6m · Advanced
Inside the Stop-Motion Technology of Laika's Coraline — Adam Savage’s Tested · 18m · Advanced
Dragonslayer (1981) | Behind the Scenes — DVDXtras · 81m · Advanced
How Stop-Motion Movies Are Animated at Aardman | WIRED — WIRED · 8m · Beginner
Pinocchio director Guillermo del Toro on the joy of hand-crafted animation | BFI in Conversation — BFI · 61m · Advanced

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