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FilmSkool — a free film school

LOG vs RAW footage for color grading | What's the difference?

Syrp Lab’s Film Science explains why a grade can fall apart into banding and artifacts, and what really separates log from raw capture in how much picture information survives for color work.

Syrp Lab · 5 min · Intermediate · CIN · Cinematography · 2022

What you take away

Log is a curve, raw is the data; choose by how far the grade has to push.

Watch it

Filed under

Films to study for colour

Oscar winners for cinematography

Books on cinematography

Kit for this lesson

Calibrite ColorChecker Video — The chart you shoot so the grade has a truth
Blackmagic UltraStudio Recorder 3G — SDI and HDMI into a laptop over Thunderbolt
Blackmagic DaVinci Resolve Speed Editor — A search dial, and Resolve Studio in the box
Blackmagic DaVinci Resolve Studio — The paid Resolve, bought once, kept for ever
PortKeys BM5 III WR — Monitor that can also run the camera
Atomos Ninja V — The 5" recorder-monitor that made ProRes RAW normal

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