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FilmSkool — a free film school

American Utopia: Ellen Kuras, ASC on the Sony VENICE

Cinematographer Ellen Kuras discusses her camera and lighting choices for capturing the show's minimalist grey stage and choreographed movement.

AbelCine · 6 min · Intermediate · CIN · Cinematography · 2018

What you take away

Learn why a DP might choose a specific digital camera system for a high-contrast, single-set production.

Watch it

Filed under

Films shot by Ellen Kuras

Films to study for light

Oscar winners for cinematography

Books on cinematography

Kit for this lesson

Aputure F10 Barndoors — Cuts the spill off a Fresnel — the cheapest control there is
Aputure MC Pro — Pocket RGBWW — an eye light that fits in a pocket
Aputure Light Dome Mini III — The Dome for small rooms and small fixtures
Amaran COB 60x S — Small, battery-friendly, a good first fixture
Sony FE 16-35mm F2.8 GM II — The wide end of the same set
Canon RF 50mm F1.2 L USM — The portrait-adjacent normal

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Making THE ROYAL TENENBAUMS (with Wes Anderson & Robert Yeoman) — Cinematographers on cinematography · 27m · Advanced
Cinematic Film Composition — Roger Deakins on Blocking, Staging & Composition in Cinematography — StudioBinder · 7m · Intermediate
Depth of field | Virtual Cameras | Computer animation | Khan Academy — Khan Academy Labs · 3m · Intermediate
Roger Deakins on "Learning to Light" — Cinematography Techniques Ep. 1 — StudioBinder · 9m · Intermediate
Shooting “Moonrise Kingdom" (with Wes Anderson & Robert Yeoman) — Cinematographers on cinematography · 17m · Advanced
Ultimate Guide to Camera Lenses — Every Type of Camera Lens Explained [Shot List Ep. 7] — StudioBinder · 20m · Beginner
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