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FilmSkool — a free film school

Strangers on a Train (1951) | 5 Golden Frames | Episode 9

Picks five specific frames from the film and unpacks the compositional choices in each, from framing through doorways to reflections in glasses.

Matt Caridi · 6 min · Beginner · CIN · Cinematography · 2018

What you take away

Practice pulling apart a single frame's composition in isolation before analyzing a whole scene.

Watch it

Filed under

Oscar winners for cinematography

Books on cinematography

Cameras and glass

Sony FE 50mm F1.2 GM — A stop and a half past normal
Sony FE 24-70mm F2.8 GM II — The standard zoom most FX bodies wear
Sony FE 16-35mm F2.8 GM II — The wide end of the same set
Canon RF 50mm F1.2 L USM — The portrait-adjacent normal
Canon EOS R6 Mark II — The affordable full-frame RF hybrid
Nikon Z6 III — Partially stacked sensor, N-RAW internal

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Making THE ROYAL TENENBAUMS (with Wes Anderson & Robert Yeoman) — Cinematographers on cinematography · 27m · Advanced
Cinematic Film Composition — Roger Deakins on Blocking, Staging & Composition in Cinematography — StudioBinder · 7m · Intermediate
Depth of field | Virtual Cameras | Computer animation | Khan Academy — Khan Academy Labs · 3m · Intermediate
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Shooting “Moonrise Kingdom" (with Wes Anderson & Robert Yeoman) — Cinematographers on cinematography · 17m · Advanced
Ultimate Guide to Camera Lenses — Every Type of Camera Lens Explained [Shot List Ep. 7] — StudioBinder · 20m · Beginner
Depth of Field Explained: Ultimate Guide to Camera Focus [Shot List Ep. 4] — StudioBinder · 15m · Beginner

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