.seo-fallback{max-width:46rem;margin:0 auto;padding:2.5rem 1.25rem 4rem; font:16px/1.6 Inter,system-ui,sans-serif;color:#EDE9F5;background:#0E0A1B} .seo-fallback a{color:#FFCA3A} .seo-fallback h1{font-size:1.75rem;line-height:1.2;margin:.5rem 0 1rem} .seo-fallback h2{font-size:1.05rem;margin:2rem 0 .5rem;color:#9C93B8; text-transform:uppercase;letter-spacing:.08em} .seo-fallback ul{padding-left:1.1rem;margin:.5rem 0} .seo-fallback li{margin:.3rem 0} .seo-fallback .seo-meta{color:#9C93B8;font-size:.9rem} .seo-fallback .seo-note{margin-top:2.5rem;color:#9C93B8;font-size:.85rem; border-top:1px solid #2A2340;padding-top:1rem}

FilmSkool — a free film school

Film psychology THE SHINING spatial awareness and set design 1of2

Traces the deliberately impossible floor plan of the Overlook Hotel, showing how windows, hallways and room placements contradict each other to unsettle the viewer without them consciously noticing. Uses set photos and film stills to prove the contradictions.

Collative Learning · 12 min · Advanced · DES · Production Design · 2018

What you take away

Use impossible or contradictory spatial geography to generate unease at a subconscious level.

Watch it

Filed under

More Production Design

Oscar-Winning Costume Designer Ruth E. Carter Breaks Down 18 Looks, From Sinners to Black Panther — Vogue · 22m · Intermediate
Inside the Production Design of Bong Joon Ho's Parasite — Film at Lincoln Center · 14m · Advanced
Black Panther's Costume Designer Ruth E. Carter Breaks Down Her Iconic Costumes | Vanity Fair — Vanity Fair · 13m · Intermediate
How 'Asteroid City' Production Designer Creates the Worlds of Wes Anderson | Vanity Fair — Vanity Fair · 14m · Intermediate
The Visual Architecture of Parasite — Thomas Flight · 10m · Advanced
Forrest Gump's Production Designer Breaks Down Lt. Dan's First Scene | Vanity Fair — Vanity Fair · 9m · Beginner
How 'Wednesday' Costume Designer Created Every Season 1 Look | Vanity Fair — Vanity Fair · 12m · Intermediate
How Historically Accurate is the Battle in Barry Lyndon? | Portraying Linear Combat in Film — Brandon Fisichella · 40m · Advanced
Color Theory in Film — Color Psychology for Directors: Ep5 — StudioBinder · 16m · Intermediate
Production Design — Filmmaking Techniques for Directors: Ep2 — StudioBinder · 15m · Intermediate
Parks & Rec Production Designer Explains How Design Creates Story — Indy Mogul · 15m · Intermediate
Mean Girls Costume Designer Breaks Down Lindsay Lohan's Costumes | Vanity Fair — Vanity Fair · 11m · Beginner

This is the plain index, shown because JavaScript is off. Every lesson here is a free video published by the channel credited on it and plays through that channel's own embed — FilmSkool hosts nothing.