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FilmSkool — a free film school

Visual Analysis

Everything in the school that teaches Visual Analysis, across 8 departments.

108 lessons · 31h 10m · Film Theory · Production Design · Screenwriting · Cinematography · Animation · Lighting · Color · Directing

Lessons on Visual Analysis

The Invisible Horror of The Shining — kaptainkristian · 18m · Advanced
The Sustained Two-Shot — Every Frame a Painting · 5m · Intermediate
When Harry Met Sally — Breaking Genre Conventions — Lessons from the Screenplay · 9m · Intermediate
Film psychology THE SHINING spatial awareness and set design 1of2 — Collative Learning · 12m · Advanced
In the Mood For Love: Crash Course Film Criticism #5 — CrashCourse · 11m · Intermediate
The Visual Architecture of Parasite — Thomas Flight · 10m · Advanced
Citizen Kane: Crash Course Film Criticism #1 — CrashCourse · 11m · Beginner
Marking a Story Beat with A Pan in Parasite — Seeing Through Our Screens - Thomas Flight · 9m · Intermediate
Two Ways To Film The Same Scene (#2) — Nerdwriter1 · 7m · Beginner
3 Brilliant Moments of Blocking (in Kurosawa's High and Low) — CineFix · 9m · Intermediate
The Prestige: Hiding In Plain Sight — Nerdwriter1 · 8m · Advanced
What is Film Noir – Private Detectives, Corrupt Cops, and Femme Fatales — StudioBinder · 14m · Intermediate
On Writing: Subtext (and how to use it)! [ Tarantino | Thrones | Gatsby ] — Hello Future Me · 26m · Intermediate
The Godfather — How to Direct Power (Director’s Playbook) — StudioBinder · 10m · Intermediate
In Search of the Distinctively Human | The Philosophy of Blade Runner 2049 — Like Stories of Old · 18m · Advanced
Stanley Kubrick's 2001: A Space Odyssey and Nietzsche — FRAME INTO FOCUS · 69m · Advanced
In Praise of Subtle Cinematography — Thomas Flight · 14m · Intermediate
The Medium Is The Message: Film Vs. Digital — In Depth Cine · 9m · Intermediate
The Wolf of Wall Street Film Blocking Techniques | Director's Playbook — StudioBinder · 6m · Intermediate
RAN and the Spectrum of Adaptation (Tarr, Tarkovsky, Kurosawa) — The Cinema Revivalist · 44m · Advanced
What Portrait of a Lady on Fire Tells Us About "the Gaze" — Broey Deschanel · 14m · Advanced
Why The Shining is Terrifying — Super Eyepatch Wolf · 25m · Intermediate
Pixar in a Box: Visual Language — Khan Academy Labs · 5m · Beginner
The Cinematography of The Girl with the Dragon Tattoo — Cinematography Database Fan · 68m · Advanced
Blade Runner 2049 - Empathy Propaganda [Video Essay] — Movies I Love (and so can you) · 54m · Advanced
Blurry Backgrounds Are (Not) Cinematic — DSLRguide · 5m · Beginner
The visual design of REBECCA (Alfred Hitchcock, 1940) — Cinematographers on cinematography · 17m · Advanced
Why Film Directors avoid Deep Focus Cinematography — wolfcrow · 8m · Intermediate
Arrival: Time Is An Illusion — CJ The X · 28m · Advanced
It Took Me 20 Years to Understand A Clockwork Orange — Jared Bauer · 14m · Advanced

Departments teaching this

This is the plain index, shown because JavaScript is off. Every lesson here is a free video published by the channel credited on it and plays through that channel's own embed — FilmSkool hosts nothing.