FilmSkool — a free film school
Yojimbo: Cinema's Greatest Protagonist
Analyzes how Kurosawa and Toshiro Mifune construct a protagonist who manipulates both sides of a conflict for his own reasons, and how the film's framing keeps his true motives ambiguous.
Bushido Blues · 10 min · Intermediate · THY · Film Theory · 2018
What you take away
- Keep a protagonist's true motive slightly ambiguous through framing and withheld dialogue to sustain interest.
Watch it
Filed under
More Film Theory
This is the plain index, shown because JavaScript is off. Every lesson here is a free video published by the channel credited on it and plays through that channel's own embed — FilmSkool hosts nothing.