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FilmSkool — a free film school

Virtual Production with Unreal Engine at Dimension Studio

A short case-study tour of Dimension Studio's virtual production stage, covering how the LED volume, camera tracking, and Unreal content pipeline fit together on a real shoot day. Produced by Epic as a promotional piece but with genuine pipeline detail.

Unreal Engine · 6 min · Intermediate · UNR · Unreal Engine · 2024

What you take away

See how the pieces of a professional LED volume shoot — tracking, content, and crew — fit together.

Watch it

Filed under

Oscar winners for visual effects

Books on visual effects

Kit for this lesson

Aputure F10 Barndoors — Cuts the spill off a Fresnel — the cheapest control there is
Aputure MC Pro — Pocket RGBWW — an eye light that fits in a pocket
Aputure INFINIBAR PB6 — Pixel-mapped bar — practicals, car work, backgrounds
Nanlite PavoTube II 30C — A four-foot colour tube
Western Digital WD_BLACK SN850X 4TB — The other one, usually cheaper
SanDisk Professional G-DRIVE 8TB — Desktop archive drive built for footage

More Unreal Engine

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Creating Cinematics in Unreal Engine with KitBash3D's Secrets of the Luminara — The Gnomon Workshop · 43m · Advanced
How Unreal 5.8 Changed Filmmaking — Josh Toonen · 4m · Beginner
Installing Unreal Engine — Unreal Engine · 4m · Beginner
How I Created This Cinematic in Unreal Engine 5.8 — Memento CG · 8m · Intermediate
Unreal Engine 5.8 Feature Highlights — Unreal Engine · 3m · Beginner
Cinematography Deepdive for Beginners - Camera and Render Settings Tutorial - Unreal Engine 5.5 — Charlie Driscoll - Unreal Engine Filmmaking · 128m · Beginner
Make Films in Unreal : Everything you need to create your first short (Beginner) Start Here (ep1) — Dean Yurke - Unreal Engine and VFX Filmmaking · 31m · Beginner
How To Make Unreal Look More Cinematic — William Faucher · 29m · Intermediate
Storyboard Your Movie Masterclass - Create Action Scenes in Unreal 5 — Josh Toonen · 113m · Advanced
Why Unreal Engine 5.8 is a Game Changer — Unreal Sensei · 12m · Intermediate

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