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FilmSkool — a free film school

What you don't see in Barry Lyndon

Looks at Kubrick's use of negative space and deliberately withheld information within the frame, arguing the film's restraint is as calculated as its ornate compositions.

wolfcrow · 7 min · Intermediate · CIN · Cinematography · 2018

What you take away

Treat what you keep out of frame as a deliberate compositional choice, not an omission.

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