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FilmSkool — a free film school

Spielberg's Subtly Powerful Camera Moves in Catch Me If You Can

Analyzes several dolly and reframing moves that redirect attention within a shot without calling attention to the camera itself.

Dolly Into Meaning · 9 min · Intermediate · CIN · Cinematography · 2018

What you take away

Practice a slow reframe that shifts emphasis mid-shot instead of cutting to a new one.

Watch it

Filed under

The films of Steven Spielberg

Oscar winners for cinematography

Gravity (2013)

Books on cinematography

Cameras and glass

Canon RF 50mm F1.2 L USM — The portrait-adjacent normal
Canon RF 24-70mm F2.8 L IS USM — The RF standard zoom, stabilised
Canon RF 15-35mm F2.8 L IS USM — Canon’s wide zoom for the C70 and R5 C
Helios 44-2 58mm f/2 — The swirly Soviet prime — a look for the price of a meal
Panasonic LUMIX S5 II — Full-frame, open gate, phase detect at last
Panasonic LUMIX S5 IIX — The S5 II with raw out and ProRes internal

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