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FilmSkool — a free film school

JAWS: Spielberg's PERFECT camera work

Covers specific camera techniques across the film, including the dolly zoom on Brody at the beach and how handheld work distinguishes the shark's point of view.

Cine-mechanic · 14 min · Intermediate · CIN · Cinematography · 2018

What you take away

Learn when a subtle dolly zoom communicates dread more effectively than a cut.

Watch it

Filed under

The films of Steven Spielberg

Oscar winners for cinematography

Road to Perdition (2002)

Books on cinematography

Cameras and glass

Canon RF 50mm F1.2 L USM — The portrait-adjacent normal
Canon RF 24-70mm F2.8 L IS USM — The RF standard zoom, stabilised
Canon RF 15-35mm F2.8 L IS USM — Canon’s wide zoom for the C70 and R5 C
Helios 44-2 58mm f/2 — The swirly Soviet prime — a look for the price of a meal
Panasonic LUMIX S5 II — Full-frame, open gate, phase detect at last
Panasonic LUMIX S5 IIX — The S5 II with raw out and ProRes internal

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