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PULP FICTION ESSAY - EXPERIMENTAL CINEMATOGRAPHY

A short essay on Pulp Fiction's cinematography, looking at its low-angle framing, trunk shots and other choices that break from mainstream 90s camera conventions.

Ross Beamish · 7 min · Intermediate · CIN · Cinematography · 2018

What you take away

See how breaking standard framing rules can reinforce a film's tone and point of view.

Watch it

Filed under

Oscar winners for cinematography

Books on cinematography

Cameras and glass

Sony FE 24-70mm F2.8 GM II — The standard zoom most FX bodies wear
Sony FE 16-35mm F2.8 GM II — The wide end of the same set
Canon RF 50mm F1.2 L USM — The portrait-adjacent normal
Canon RF 24-70mm F2.8 L IS USM — The RF standard zoom, stabilised
Sony a7 IV — The all-round full-frame hybrid
Canon EOS R6 Mark II — The affordable full-frame RF hybrid

More Cinematography

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The Pros & Cons Of Film Vs Digital: Featuring Robert Yeoman — In Depth Cine · 15m · Advanced
Mother (2009) - The Telephoto Profile Shot — Every Frame a Painting · 4m · Advanced
How Cinematographers Set Their Exposure — In Depth Cine · 13m · Intermediate
Making THE ROYAL TENENBAUMS (with Wes Anderson & Robert Yeoman) — Cinematographers on cinematography · 27m · Advanced
Cinematic Film Composition — Roger Deakins on Blocking, Staging & Composition in Cinematography — StudioBinder · 7m · Intermediate
Depth of field | Virtual Cameras | Computer animation | Khan Academy — Khan Academy Labs · 3m · Intermediate
Roger Deakins on "Learning to Light" — Cinematography Techniques Ep. 1 — StudioBinder · 9m · Intermediate
Shooting “Moonrise Kingdom" (with Wes Anderson & Robert Yeoman) — Cinematographers on cinematography · 17m · Advanced
Ultimate Guide to Camera Lenses — Every Type of Camera Lens Explained [Shot List Ep. 7] — StudioBinder · 20m · Beginner
Depth of Field Explained: Ultimate Guide to Camera Focus [Shot List Ep. 4] — StudioBinder · 15m · Beginner

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