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How Robert Elswit shot There Will Be Blood
Breaks down cinematographer Robert Elswit's approach to shooting There Will Be Blood, including his reliance on natural light and wide lenses to give the film its stark, physical sense of landscape.
Angus Davies · 9 min · Intermediate · CIN · Cinematography · 2018
What you take away
- Student learns how lens choice and natural light can reinforce a film's themes of isolation and scale.
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